alison wonderland - run
- pretty typical edm but i like female vocals
- lyricism is far from the strong point
- the best thing about this is that it kind of slaps
- i really don't need to listen to this much anymore
- this is like jack ü b-side material
score: 59
the maine - american candy
- the "pop rock band for the girls" aesthetic done right
- i don't really identify with this at all
- if rock was actually in right now this would be top 40 material
- i could see this being people's "guilty pleasure" album
- still too pretty for my regular consumption
score: 67
all time low - future hearts
- the "pop rock band for the girls" aesthetic done meh
- i shouldn't have listened to this
- the mark hoppus feature was entirely wasted on here and that's tragic
- i wanted pop punk and got rock pop
- these are like green day - uno dos tré b-sides and that's no good
score: 22
carly rae jepsen - emotion
- i wish she'd stop being cute sometimes, like write a dirty song already
- i really like you is actually a very solid song despite its slight annoyance
- too bad taylor swift did 80s pop first because this album's better and gonna get slept on
- it's a little too long of an album though, could've easily knocked off like 5 tracks
- black heart or i didn't just come here to dance better be her next singles if she wants to pop off
score: 71
polyphia - muse
- very proficient guitar players, less proficient compositions
- these songs take so much effort to listen to because they're so solo heavy
- the chon feature has the best replay value
- the songs aren't inherently bad at all but with all the soloing it needs more low points
- the album would do better with vocals, honestly